So, I’m back now from What The Fur? 2013, an anthropomorphic (a.k.a. furry) convention in Montreal, Quebec, Canada. It was the 4th year for the convention, and my 3rd year attending.
Conventions like these are mostly for people who identify as furries — that is, people who don’t feel that their true species is Homo sapiens, in some spiritual or emotional way. There isn’t a hard-and-fast ruling on what defines a furry. Some say you need a non-human avatar to represent yourself (a “fursona”). Others say that just liking anthropomorphic animals in stories is enough to qualify. Personally, I might not have a lot of regard for humans as an overall species but I’m pretty sure I am a human, and I consider myself simply fur-friendly. Which seems to be perfectly acceptable in the convention-going community. I like fantasy stuff that the mainstream considers weird? Cool! Furries do, too! We can spend a weekend hanging out and celebrating it!
(Some costumes, such as Kanthara’s character Vivienne in the above video, have a loose lower jaw that opens when the wearer opens their mouth. A relatively simple rig, mechanically speaking, but isn’t it amazing to see a “real” non-human speaking like that? Whenever I ask a fursuiter if I may take their photo, I’m extra delighted if their costume’s mouth moves when they say, “Sure.”)
So clearly enough, events like these are a far cry from the type of convention where suit-clad businesspeople talk about marketing. What The Fur? always has some organized events such as discussion panels — and I sat on a few of these panels this year, trying to make intelligent points about fantasy fiction without the use of a Backspace key. But this convention is basically a many-faceted social event. The whole point is for people to get together with friends old and new, show off their costumes, play some tabletop games, buy and sell personalized artwork, and speak the excited language of fandom. I go to What The Fur? to sell my books, but also to chat with other adults who consider it normal for a talking weasel to have something to say.
Since I was a teenager, I’ve been attending fan conventions with this same general attitude. At first, it was anime conventions such as Otakon and Anime North (which tend to embrace other media forms such as American animation, and video games). I loved the costuming most of all, that aspect of bringing your favourite character to life. As I began nosing around the publishing industry, I added a few literary conventions to my experience, beginning with Worldcon 2010. Those were alright, if a little …calm by my standards. Now, I’m mostly setting up my dealer’s tables at furry conventions. Anthropomorphism is a concept I enjoy a lot, and there are few greater joys than sharing enjoyment with other fannish folks.
Busy, busy! I’m at my annual convention this weekend, a (relatively) small anthropomorphics meet in Montreal, Quebec, Canada. There’s plenty going on! I’m staffing my own sale table the majority of the time, and when I’m not doing that I’m on some discussion panels.
The paperback Stories of Aligare, all set up for perusal.
It’s my third year attending What The Fur? and I do have fun. And I’ll tell you folks more about it later; right now I could use some sleep.
Render is primarily the story of Rue finding her place in an uneasy time. And that story would have turned out very differently if she hadn’t met Felixi. He’s a korvi who hunts wild game in the traditional way, by dropping onto it from the sky and taking it by surprise.
This looked like the Felixi of Velgarro in Rue’s imagination. He was thick-built in the shoulders, muscular like a hunter would need to be, his mane feathers long and wild. He straightened from his landing — and he turned stone-hard eyes to Rue.
His throat moved as though he meant to speak. Nothing came out for an instant; he swallowed, frowned, and tried again. “Something you want?” he asked in a rasping voice.
Like he hadn’t spoken lately. Like he was a wild creature himself.
-Render, a story of Aligare, Chapter 5
Because the three peoplekinds have a strong history of peace and cooperation, a stranger is usually just a friend you haven’t met. That’s the norm. If an aemet, korvi or ferrin doesn’t care for that sort of sociable life, they make recluses of themselves to avoid it. Folk respect the fact that recluses don’t want to be bothered, and will usually only seek out a recluse with an offer a trade, a warning of danger, or some other very good reason.
Felixi is one of these cases. His past is mysterious — but he definitely didn’t fit in with the last town he lived in, and his abrasive personality is made worse by some personal demons. At the time Render’s story happens, Felixi flat-out refuses to enter a settlement and dislikes the thought of associating with more than one person at once. He’s returned to a solitary, standoffish version of the korvi race’s most ancient roots — living on a mountain, spending his days in flight, hunting animals for food. He’s sort of a parallel to Render‘s antagonistic wolves: strange, snappish, frighteningly primal, but Felixi is still a creature with needs and motives. Actually, Felixi is about as close to archetypical Western dragons as an Aligare character could ever be.
I came up with Felixi while wondering about Aligare society. Sure, the three peoplekinds consider it normal to be friendly and cooperative. But what about the inevitable odd people? The minority who just don’t like all this symbiosis stuff and don’t fit in? Felixi has his good qualities but he’s still defined by his sharp-toothed refusal to be normal, and always fighting to protect that solitary freedom he can’t live without.
If you know anything about name roots, you’ve probably picked up on my cruel irony already. Felixi is a tweak of the name Felix, meaning “lucky” or “successful” in Latin. It’s usually a name for characters who are cheerful and loveable and happy, always the winners, always landing on their feet. It’s a name that would have suited nearly any korvi other than Felixi. Frankly, I feel a bit guilty for calling him that. (But not guilty enough to stop me from sketching jokes, apparently: here‘s slightly-off-model Felixi meeting an actual cheerful Felix, the one from the movie Wreck-It Ralph.)
The Render story introduces Rue the atypical aemet to Felixi the atypical korvi. And as they bond, Felixi shows more of his subtleties. His fears, his values, his dry brand of wit. Felixi was pretty much a closed book to me, the author, until I wrote scenes that pried him a little farther open. And that was a big part of why I finished the book.
Times sure have changed. Writing a book used to be a laborious process available only to the rich and privileged, every letter of every word copied out meticulously by hand onto some animal hide. But now, anyone can put out a book in under a year! If you write that fast. And depending on the amount of research and development. Editing sometimes takes a few more years. And we should probably count the years of elementary school that teach us to read and write— Look, it’s complicated, but it’s nowhere near as complicated in 2013 as it used to be.
And if a fiction author is trying to make anything resembling a living, they pretty much have to put out new writing on a regular basis. The list of authors who achieved bestsellerdom on one book is vanishingly small. And with over 100 million books — and counting — spread throughout human history, readers have no shortage of other things to do if an author they like doesn’t have anything more to offer. It’s easy to be forgotten unless you keep saying, “Hey, I made a new thing!” and keep providing new experiences.
This has been common knowledge to me since I was old enough to drink. But a lot of people seem to find it surprising that I’m always thinking about the next book. I’ve been mentioning Render‘s release to coworkers and they usually say, “You’re writing another book?!” Which blows my mind because I can’t imagine writing only one book — especially when my first book was a fantasy world with a lot of constructed elements. Unless I got sick of that creative process — or hated it to begin with — I can’t imagine just walking away and finding some other use for my time.
I guess people are surprised that I’m still writing because of way novel-writing and authors can seem so mysterious. A book is often thought to be a singular work you produce when you’re retired and writing your memoir. Or that one lightning strike of divine inspiration — that one “great idea for a book” that supposedly shoots a person to stardom. Finishing a book at all, ever, is an achievement most folks find impressive. So it’s not that they expect me to spend the rest of my life hawking Remedy and only Remedy — gawd, I hope not. It’s just that finishing one book is, itself, something not everyone does. It’s like I’m stating, “I climbed a mountain. It was an incredible experience that took resources and skill, and I could have died. But I did it. So, yeah, I’m gonna do it again next month.” Next month?!
I am definitely taking a break before I start on my next project. I’ve been taking a little more Internet browsing time and writing some just-for-fun stuff that’ll never have a cover, or an ISBN. But there’ll be more books. I’ve got more to say and more weird premises to dig into. The Aligare world alone has a lifetime of material for me to explore, but I don’t plan on limiting to myself to one invented world.
After 3 works published, I think it’s safe to say that I’ll be providing new reading experiences for some time to come.
Good news, everyone! Render, the latest story of Aligare, is now available in ebook and paperback.
They built new homes under mountain maples, hoping for luck. But for the aemets — the insect-like folk of Aloftway village — there has been much work and meagre reward. After poor harvests and a brush with forest fire, now wolves are striking down folk who venture into the forest. Without a precedent in their legends to guide them, all aemetkind knows to do is hope and pray.
Rue is a young aemet coming of age in this troubled community. Named after a lucky plant, she has never cared much for luck. She believed from the start that it was folly to move here, and when fellow aemets start turning up dead, Rue is through waiting. With her chemistry skills, her keen mind and a guard dog at her side, Rue promises herself that she’ll solve Aloftway’s problems. But she’ll need help from Felixi, a game hunter of the dragon-like korvi race — who knows more about the wolf attacks than he’s willing to share.
Ebook available from Smashwords or Amazon. More retailers to come.
In a nutshell, Render has the positive themes and personal introspection of any Story of Aligare. But it also has some scenes of action and violence, and a psychological thriller element where characters have to fight their instincts as well as fighting dangerous animals. If you found Remedy a little slow, you’ll probably like Render better. Render can be considered New Adult, too, because protagonist Rue is just finding her footing as a responsible, working adult of her kind.
Because I’m excited to share this book with the world, I want to give it away! I’m going to start out at 3 free ebook copies: 1 book each each for Twitter, Tumblr and Facebook. Just retweet/reblog/share my contest posts to enter. Contest ends at midnight EST on May 9th. At that time, I’ll use http://www.random.org to pick the winners. If any one media site gets over 20 reposts/reblogs/shares, I’ll add more ebook copies to its prize pool. Render is available in .epub, .mobi and .pdf, all of which are DRM-free.
Like summarizing a book, titling a book can be surprisingly challenging. Actually, the summary and the title have the the exact same issue, just in a more concentrated form in the title’s case. A book’s title is less than a sentence — possibly as little as one word. But needs to be memorable, indicate the genre/tone, give and intrigue the reader. And it should be unique enough to make the first page of a Google search. That’s a lot of pressure.
Unfortunately, we can’t just call the book what it is.
Sometimes the story’s location or significant event make a good title (as in Dune or The Hunger Games). Lucky writers can just use the main character’s unusual name (as in Lolita, Pippi Longstocking or Don Quixote). And sometimes the book’s strongest messages and themes can be summarized in one distinctive metaphor (as in To Kill A Mockingbird or Like Water For Chocolate).
If none of these work, the writer (or the editorial committee naming the book) need to get a bit more abstract. And when you get abstract with a title, there’s a risk of being vague and generic. Plenty of books use “shades of grey” or “fire and ice” metaphors as their titles. Fifty Shades of Grey and A Song of Ice And Fire are only memorable titles because they each added a more distinctive word, Fifty and Song respectively.
So how did I come at this for the Stories of Aligare series? Well, Remedy’s earliest working title was Shades: Flicker. I’m kind of embarrassed to type that, it’s so terrible. I mean, I was trying to use Shades as a series title but you’ll recall what I said about “shades of grey” being an overused concept. A critiquer said that Shades: Flicker sounded like a brand of eyeshadow and I couldn’t disagree with him even at the time.
Okay, then, what else could I call the book? I didn’t want to use a simplistic title like a main character’s name. Peregrine might be the most main of the 3 main characters but Peregrine just didn’t quite fit. It suggests that Peregrine is the center of everything that happens, when he’s actually trying to remove himself from central importance in Tillian’s life. I didn’t have a place name to use because — in the Aligare books, the characters only know their land as “the land”.
So I figured I should have a title with multiple meanings that make you think. The story is a medical drama and also an internal saga of Peregrine’s efforts to fix his life. How about Remedy, then? For the literal remedies of herbs and magic, and also the way Peregrine, Tillian and Rose try to remedy situations? I immediately knew that was perfect. I later added the subtitle A story of Aligare — to act as a series name, and to hint that Remedy is a quieter fantasy work. It’s not an adventure or a quest. It’s not some grand chronicle of destiny. It’s just some people and their stories. (And as I’ve said before, Aligare isn’t what the characters actually call their homeland. It’s an external label I decided to use.)
With that, I had a naming pattern for all future stories set in this fantasy place. Ravel, a story of Aligare is the same: a ravel can be either a physical ravel (a snarled knot), as in Llarez’s ball of string. Or ravelling can be the act of untying or unwinding something. Like, say, a sticky romantic situation.
And now comes Render, a story of Aligare. It doesn’t suit its noun meaning so much. According to my Macbook’s Dictionary function, a render is a first coat of plaster applied to a wall. Uhhh, home renovation wasn’t what I was going for, although I guess a rough base coat works as a metaphor for Aloftway village’s haphazard beginnings. No, I was thinking mostly of the verb connotations of the word “render”:
-To render an animal carcass for useable material.
-To render services, or render your assistance.
-To render an idea into pictures or words.
-And finally, to render as in “to make”. Rendering oneself useful, or circumstances that render escape impossible.
All of these meanings fit Render, a story of Aligare. Rue and Felixi act them out and muse on their meaning. (If someone writes an alternate universe fanfiction where Rue is a computer programmer, we can have a royal flush of word connotations!)
Do I intentionally give all the Stories of Aligare titles starting with the letter R? Yep. For no particular reason, just because the alliteration felt right. Sometimes you don’t know the right title for something until you read it, hear it and speak it aloud.
Hey, readers! Sorry about the lack of a Friday post. I was going to talk about the significance of Render‘s title, but it’s taking more work than anticipated to get Render formatted and ready for showtime. Gotta write the book before I can sit around talking about it! It’s especially important to me that I have paperback copies of Render for my appearance at What The Fur?, an anthropomorphic convention I attend each year.
With how the past week has been going, I really should be wearing a “Pardon our mess, we’re renovating” sign on my forehead. I’ve been putting in 8-hour editing days (and/or nights). I’m walking around dazed when I’m not at my computer, because my mind is still in Aligare. I even managed to tell you folks the wrong release date for Render, because this Monday is not, in fact, May the 7th! This is one of the perils of self-publishing and trying to do everything yourself. But I’m confident that my days of addled squirrel-brain are worth it for this story I’ll be sharing with the world.
I’ll try to release Render this Monday, as intended. But if I’m not satisfied with the quality, of course I’m not going to do that. We could say Render will come out on Monday or May the 7th? Yes, let’s say that. Whenever it happens, I’ll give a few copies away. See you in a few days!
I’ve got a shiny picture to show you folks today, and I’m pretty excited about it! So without further ado, here’s the cover for the upcoming Render: A story of Aligare.
Melanie Herring (known in some circles as PurpleKecleon) provided this art on commission. And we followed much the same process as we used for Remedy‘s cover: I described a magic gemstone in a natural setting, and talked about the mood and colour I wanted to see. Melanie got to work drawing, showing me progress pictures along the way and tweaking details based on my feedback. By “details”, I mostly mean making the piece more purple. I love purple. More importantly, purple is a rare colour in real Earth nature — so when you see a purple-lit place with purple plants, you probably imagine a distant land. It’s basically reinforcing the message that fiery magic gemstone is sending.
But yes, I couldn’t be more delighted with this cover for Render! Moments like these make me glad I self-published, so I can make my book covers exactly what I want them to be — with the help of other artists, of course.
So, when can you buy a copy of this pretty book? It’ll be published on Monday,May 7th, through Smashwords and Amazon. I’ll announce it on this blog and in my various social media when Render is live. I’ll probably be giddy enough to throw some sort of book giveaway, so now would be a good time to follow me if you don’t already!
In the Stories of Aligare, each animal species has an inner center that produces elemental casting. (Casting is the noun, to cast is the verb. It’s named after the common fantasy genre act of casting a spell.) Some creatures actively use their casting energy to change their surroundings, and some don’t. Regardless, everything needs casting energy inside it to live.
It’s most relevant to the three peoplekinds. Like most sentient beings, they put more thought than necessary into their basic physical needs. Casting isn’t just casting in the same sense that eating isn’t just putting calories into their mouths and swallowing. So summoning up some casting tends to be tied to a person’s emotions. Plantcasting becomes a compassionate wish to grow or assist; firecasting becomes enthusiasm or frustration; electricasting becomes determination or fear. The emotional link comes easily to ferrin, who instinctively gather an electricasting charge when something is frightening them (e.g. a large predatory animal).
Aligare casting isn’t strictly related to complex, conscious emotions — or else insects and worms wouldn’t be able to use it. The emotion is a Pavlovian sort of trigger: it’s only related because the person perceives it to be related. Firecasting, plantcasting and all the other types are just different flavours of an energy force usable by living things. Maybe it’s a sort of bioelectricity or astral energy. Frankly, it’s not something I can fully explain, or something I’d even want to fully explain: fantasy stories need a little privacy in these matters.
At any rate, casting ends up tied to aemet, korvi and ferrin emotions. Folk use emotion-based descriptions to better understand the “moods” and “feeling” of other casting types. Understanding an element’s “mood” is an important first step to learning a new casting element.
“Plantcasting is … Verdana help me. Plantcasting grows from inside, it’s a slower-creeping element than your electricasting. Its mood is a little like brightcasting, but it moves more like the way a vine spreads itself, measure by measure.” [Rose] paused for more thought. “I’m not sure if that makes sense. You’d probably learn best by trying it.["]
-Remedy, a story of Aligare, Chapter 14
Casting energy even gets anthropomorphized sometimes, and perceived as a conscious creature with its own desires. Plantcasting can seem like an element so bent on helping others, it becomes pushy and unruly.
“That’s enough, call it back. It can’t cure any more than this.”
The plantcasting still rifled through Vilhelm’s living weight, needing to help. Tillian pressed her own element into it, laced into the plantcasting and pulled. Telling it where to go seemed to help so she brought the quartz stone to her mind: storage, home.
No, the plantcasting felt, dragging against her. There was healing to do.
“Be firm with it.”
“Don’t mages have to do that?” Tillian’s tongue shaped weird sounds, far beyond the crackle and growth inside her. “It’s not listening to me.”
-Remedy, a story of Aligare, Chapter 14
Overall, I wanted Aligare magic to be similar to our own inner emotions. Something ordinary, yet mysterious and mercurical. Some force inside us that hampers or helps people. Something that comes bursting out of a person’s heart and can help them achieve things — if they know how to work with it. Sometimes a job requires you to get amped up and passionate to get it done right, while other types of work demand meditative calm and understanding. I figure that’s true already in our world, but it’s fun to blur the lines between metaphorical and literal.
Although magic and emotion aren’t literally the same thing in Aligare, I wanted to give that descriptive impression. And it makes sense to me that all living things in Aligare have this emotion-like magic — because if you’re not feeling anything or caring about anything, then you’re not really living, are you? Sentient peoplekinds can be incredibly versitile with their casting — learning multiple types, including types that don’t naturally get along like bright and darkcasting. Like on any world, an emotion sparked in Aligare can be the start of a powerful change.
My coworkers are awesome. I'm actually happy to see them again after a trip - and not just for all the "nice buns" jokes! #foodserviceantics11 hours ago